There are around 700 titles being shown at the EFM, and sales companies are doing all they can to entice perspective buyers to see their films, which include offers of booze, food, parties, etc. Many of the films shown are, well, crap, and it takes a heck of a long time to comb through the guide to find the titles worth seeking out. Each year there are a handful of private screenings of works-in-progress, some of which I actually get invited to. Last year, I couldn't talk my way into the Morgan Spurlock Osama Bin Laden film (I now consider myself lucky), but I did have a chance to see what was then called Untitled Jean-Claude Van Damme Project. Not realizing it would be the wonderful JCVD, I foolishly declined. This year there are two works-in-progress that I've been invited to see that I'm very excited about. One is Tarik Saleh's Metropia, a Swedish-produced CGI/live-action hybrid set in a dystopian Europe that has run out of oil, while at the same time "a net of undergrounds has been connected, creating a gigantic web underneath Europe. Roger, from a suburb of Stockholm, tries to stay away from the underground. He thinks it’s unpleasant and sometimes he hears a strange voice in his head." Kafka meets Kusterica? Who knows. The news that matters most is that Vincent Gallo and Juliette Lewis are the voices of the lead characters -- two actors I've long prayed would work together. (Crazy, meet crazier.) Also along for the ride are Stellan Skarsgard (and his son Alexander) and everybody's favorite giant baby, Udo Kier. How can this not be phenomenal?
"He and she lose their little son and she subsequently suffers from terrible anxiety attacks. Her husband is a therapist, and in spite of warnings not to treat people with whom you have close relations, they begin to tackle her fears together, and in the place where her anxiety is strongest: Eden, a deserted cabin in the woods. The tough therapeutic struggle develops into a battle of the sexes. Her fears inhabit them both and even he is not exempt from experiencing the merciless evil of nature. Natural brutality takes over and his cool reason is rendered futile. The evil in her runs wild." I could be wrong, but I forsee a bidding war over this one. Von Trier is good at horror, and I don't imagine he'll take take a Brechtian approach on this one. I sincerely hope he shows. I'm dying to ask him if there's still a chance that he'll make Washington, the final chapter in his USA trilogy. |


as long as there isn't a CGI Chloe Sevigny doing you-know-what!
Posted by: mike | 2009.01.29 at 08:06 PM
sounds like classic von trier, meaning, a decent idea that will end up being reductive and poor. the man as smart as a 2 minute pitch. when he then has an hour and half, or 2+ hours often, he simply isn't intelligent enough to do anything interesting with it.
Posted by: billy | 2009.01.30 at 01:07 PM
Just curious: I was looking at the Rotterdam list of films and then started looking at Berlinale's site...how in hell do you decide what to see? There are so many possibilities, how can you edit yourself to make a short list?
Posted by: Steve | 2009.01.31 at 09:18 PM
That's a good question. Obviously, I look for directors I'm familiar with, or titles that have received some good press elsewhere. But honestly, it's a bit of a crapshoot.
Word of mouth at the festival is a tremendous help -- running into people between screenings, at parties, etc.
Posted by: Filmbrain | 2009.01.31 at 09:46 PM
Juliette Lewis + Vincent Gallo? A match made in heaven! That reminds me of when I tried to describe this film American Perfekt to a friend of mine... "well, Amanda Plummer and Fairuza Balk play sisters..." and that was all I needed to say to get him excited. (I don't think he ended up watching it, perhaps the prospect was too high to be met.)
Posted by: Joe Bowman | 2009.02.04 at 02:10 AM
Did you manage to see the small extract of Antichrist shown in Berlin? I'm very excited about this film.
Posted by: joaquim | 2009.02.12 at 08:39 AM