| Let's see....Bergman, Fellini, Maya Deren, more Bergman, Ken Jacobs, Bela Tarr, still more Bergman, Philippe Garrel, and of course, Bergman. That grainy, somewhat surreal black and white image from last week's quiz stumped a good many of you, but still a small handful were able to spot Charlotte Rampling in Stardust Memories, from the adjectival Woody Allen (wrench). Easily one of the Woodman's best (and a Filmbrain fave), it was made while he was well into his Euro-influence phase, so the Bergman/Fellini guesses are understandable. This week -- what's going on in the creative bullpen? Name the film, and for a bonus point, describe the somewhat vague Lenny Bruce reference that appears towards the end. As always, submit your answers to this address. Good luck! |
![]() |



This one's almost as easy as the "Citizen Kane" still that started this contest.
Posted by: Urbaniak | 2006.03.22 at 04:15 PM
Well...after last week, I thought I'd throw out an easier one. Still, nobody's yet to come up with the Lenny Bruce-related reference.
Posted by: Filmbrain | 2006.03.22 at 08:51 PM
Wouldn’t it be wonderful to pitch a film by throwing out all the jawboning and just walking in with a still like this one? Such a picture has to be part of a movie, and if the movie had not been made yet, it would need to quick.
I didn’t get that last one because I was thinking Euro too. And maybe also because I almost never think about Woody Allen anymore. Bet I’m not alone on that.
Posted by: DW | 2006.03.22 at 11:15 PM
I think a guy named Mussburger was in the house band when Lenny Bruce played the Copa in 1957.
Posted by: Urbaniak | 2006.03.22 at 11:28 PM
Hmmm....I wonder if that's verifiable. Still, not what I was going after.
Of course, I could be wrong about the homage to Lenny. . .
Posted by: Filmbrain | 2006.03.22 at 11:45 PM
If I could *remember* the ending I still wouldn't have a chance....
These screen caps (here and at cinephiliac) are invariably a humbling experience.
Posted by: Tuwa | 2006.03.23 at 04:54 PM